I
want to explore memory and the idea of a person. I saw someone on the elevator
the other day that I had only seen before on Facebook. It was a very odd
experience that really got me thinking about how we perceive people through a
series of photographs and such before actually seeing them in person. What has
culturally taught me to imagine a person in reality because of a split second
frozen in time? These images feed our imaginations in ways that make up
characters. We imagine how someone acts simply through a photograph. The photos
seem extremely expressive because they were chosen to be on display for a
reason. Why go to the trouble of wasting battery or film, looking through all
of your photographs, having these specific images uploaded or printed, and have
them sitting on the internet forever or framed and up for the world to see in a
physical environment?
This idea also made me
ponder people we feel we no longer know. Photographs become obsessions because
we have evidence of people we felt we knew at one point, and no longer feel
that way. The obsession of memory and craving the idea of who someone was seems
dangerous. It seems to be in the same sort of realm of categorizing people
we’ve never met because of their photographs. Our minds make up personalities
that more than likely won’t match up in the end. But why do we set ourselves up
like that? These judgments seem dangerous and explore one of the more skeptical
aspects of photography. Why can we not just see things as they truly exist?
These photos may not prove a great deal of truth so why do we feel that photos
are the best portrayal of others and ourselves? How much proof does a photo ID
really show? We trust images so greatly these days; we rely on them to provide
evidence for everything. I ate a cupcake today…don’t believe me? Go look on
Instagram, it says I posted the photo three hours ago. But what if I took the
photo three weeks ago and just want you to think I ate it today? Would you care
that I lied about something so miniscule? The accessibility to photography and
displaying them is insanely instantaneous, and our generation feels a desire to
reveal every detail of our little lives through photographic means. My main
goal is to explore how photography’s qualities of realism cause the mind to
automatically assume characteristics because of their appearance in an image.
holly, we are already privy to this knowledge that photographs are constructions and fabrications that dip into fantasy and surrealism more than reality. how can you push your proposal further and put more at stake? try to focus on one aspect of photography such as photo IDs for example, as a way to focus your argument. photography is too broad as you are using it so far. we can talk more tomorrow!
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